Pac Pobric is an editor at the Metropolitan Museum of Art, where he works on the Heilbrunn Timeline of Art History.
He is a contributor to the Village Voice, the Brooklyn Rail, and The Art Newspaper, where he was formerly the Exhibitions editor. He has written catalogue essays on Minimalism and its legacy for the Mnuchin gallery and on Sean Scully’s recent work for Cheim & Read.
Pobric has an M.A. in Art History from Hunter College, where he studied with William C. Agee and wrote about Ellsworth Kelly’s years in New York. He lives in the Bronx.
Contact: pac [at] pacpobric.com
Latest articles:
- Irving Sandler: an obituary
- Why people like to look at people
- On Kiki Smith and the Jewish tradition
- Review: Robert Gober at Matthew Marks
- Decadent decay: on Cyprien Gaillard
- On Danh Vo at the Guggenheim
- Subtle disorientations: on Peter Campus
- On Outliers and American Vanguard Art at the National Gallery
- Straining for laughter: on Nathaniel Mellors
- Zurbarán, Jacob, and the Twelve Tribes of Israel at the Frick Collection
- Strangely unfamiliar: on Katharina Fritsch
- Small wonders: on Victoria Gitman
- Time to look: on Laura Owens at the Whitney
- What Gordon Matta-Clark learned in the Bronx
Selected older articles:
- Why the process of painting never ends: on Brice Marden
- On Walter Swennen at Gladstone Gallery
- On David Smith at Storm King
- Smoke on the water: on Andreas Schulze
- That poor sap dog: on William Wegman
- How New York made Mondrian truly Modern
- The way she was: on Jo Spence
- The persistent disbeliever: on Donald Judd’s writings
- A brief history of Constructivism
- “Art too is just a way of living”: on Rilke and Rodin
- Loosely hanging appendages: on Rachel Harrison
- The false Gods of Dada: on the perils of eclecticism
- Loose language: on Liam Gillick’s Industry and Intelligence
- Against allegory: on Benjamin Buchloh and Danh Vo
- A cerebral matter: a profile of Eric Kandel
- On the Ellsworth Kelly catalogue raisonné
- On artificial darkness in art and theatre
- Frank Stella’s decline
- Ellsworth Kelly: an obituary
- When mourning becomes its own reward: on Doris Salcedo
- Beautiful brutality: the splendors of violence at the Venice Biennale
- Inside an unquiet mind: on Lawrence Alloway’s failure
- Sean Scully: the wanderer
- Ellsworth Kelly: Looking backwards, moving forwards
- A brief history of artists as curators
- Sturtevant’s provincialism
- The same, but different: a profile of Glenn Ligon
- Review: Julian Pretto Gallery